“They’re really lives that are falling apart, and that’s what we tried to capture with the visuals here. “The story of these characters' lives are more detailed and messier and chaotic,” he says of season two. It has to pack into a minute and a half what a narrative might take multiple episodes to communicate. As Clair explains it, the best opening sequences tend to be a hyper-intense visual distillation of the ideas and emotions. This surreal form of motion produces the effect of being in a dream, while the ambiguity of the images-a lifeguard station set against wildly flowing hair, a freeway running through a silhouette of a face, black-and-white footage of a solar flare-give a brooding sense of what’s to come without revealing too much. Listen to True Detective: Far from Any Road (Main Soundtrack Theme from Season 1) MP3 Song by The TV Theme Soundtracks from the album True Detective: Far. “You don’t want it to be as crazy and intense as watching footage, because footage is about a series of events happening, whereas this is just about the compositions themselves.” “It’s really about trying to make it feel like you’re journeying through a photograph,” he explains. Clair and his team placed these photos on top of slowed-down footage from the show to create what he describes as “living photographs.” The result is an opening sequence that seems to reside somewhere between still images and video footage. You see this same idea echoed in season two’s sequence, but this time Clair used David Maisel’s stunning aerial photographs of iconic California scenery (with a few Jake Sargeant shots as well) to build his collages. Clair drew on this idea in the opening sequence, constructing surreal double-exposure shots that layer stills from the show with Misrach's image of the Louisiana landscape. In the show, the poisoned land reflected the poisoned nature of the characters. While writing season one, Pizzolatto came across Richard Misrach’s Petrochemical America, a book of haunting photographs documenting the industrial-ravaged landscape of the south. True Detective has always used landscape as a metaphor for the messy inner turmoil of its characters' lives.
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